I’ve never liked the oboe. Clarinets are agile and joyful. Saxophones are versatile and soulful. An oboe sounds mournful, a bruised reed, a blanket of grief. Yet even an oboe can contribute its mellow hues to an orchestral arrangement. Who can forget the haunting tones of Gabriel’s Oboe?
Atonement is as rich and polyphonic as a symphony. At its heart, to atone is to make at-one. God reconciles the world to himself, and that ultimately makes us at-one with each other.
But when we press in to how atonement works, we cannot reduce it to a single instrument. Like light reflected from a multifaceted diamond, atonement has many angles in the New Testament.
For example:
Continue reading “The rich texture of atonement (Matthew 18:23–35)”
